Yet there is a kind of collusion between capital and the avant-garde. The force of scepticism and even of destruction that capitalism has brought into play, and that Marx never ceased analyzing and identifying, in some way encourages among artists a mistrust of established rules and a willingness to experiment with means of expression, with styles, with ever-new materials. There is something of the sublime in capitalist economy. It is not academic, it is not physiocratic, it admits no nature. It is, in a sense, an economy regulated by an Idea — infinite wealth or power. It does not manage to present any example from reality to verify this Idea. In making science subordinate to itself through technologies, especially those of language, it only succeeds, on the contrary, in making reality increasingly ungraspable, subject to doubt, unsteady.
Jean-Francois Lyotard, “The Sublime and the Avant-Garde” in The Inhuman p.105