Sam Neill, not Sam Neill


Photography became an art by placing its particular techniques in the service of this dual poetics, by making the face of anonymous people speak twice over–as silent witnesses of a condition inscribed directly on their features, their clothes, their life setting; and as possessors of a secret we shall never know, a secret veiled by the very image that delivers them to us.
– Ranciere, The Future of the Image p.15


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