Sam Neill, not Sam Neill

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Photography became an art by placing its particular techniques in the service of this dual poetics, by making the face of anonymous people speak twice over–as silent witnesses of a condition inscribed directly on their features, their clothes, their life setting; and as possessors of a secret we shall never know, a secret veiled by the very image that delivers them to us.
– Ranciere, The Future of the Image p.15

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